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Mark started out in the entertainment industry in the mid-80's with a brief stint as a radio Disc Jockey in San Diego, CA. From the mid-80's to the mid-90's Mark was a musician and songwriter as well as a successful independent music producer/publisher (BMI). In 2014, after a career in the corpor...
With more than five years as a professional, working actor reading for other actors' auditions and a SAG-AFTRA union member since 2019, I invite members of WeAudition.com to take advantage of my experience. With over 45 credits to my name, I have a lot to offer. Let me share with you and encourag...
Let's discover ways to make your audition stand out. I have been a reader, scene partner and script sleuth for years, trained by some of the best acting coaches. My style is relaxed, smart and intuitive, with a touch of humor. I was branded as the "accidental actor" when I first started my car...
Brent McMorris is known for Baby Fever (2022) and The Sauerkraut Queen (2022).
Joseph Moreland is an experienced and accomplished SAG-E actor, with over 90 film and TV credits. He's also been a principle in several commercials, national brand videos, and has enjoyed his time on stage. He's been honored with several awards, including Best Actor and Best Supporting Actor f...
I am an actor and teacher of acting. Currently teaching Improv for Fulton Theatre in Lancaster, PA. I have been a member of AEA since 1988. My recent on camera credits include Dispatches From Elsewhere (AMC), That Damn Michael Che Show (HBO Max) and as a lead in the commercial campaign for Levulan.
Hi, I am Chris I am a little older. Can read for more mature roles, i.e. father, grandfather, professorial, educator, bureaucratic, law enforcement, doctor. I have been acting for three years now. I have taken many acting classes in the Phoenix, AZ area
I have been acting for over 10 years in a diverse range of Australian feature films and countless short films. I also write my own screenplays which has provided me with a unique understanding of characters and their position both in the scene as well as the story.