Matthew Floyd Miller
Hi everybody! My name is Matt. I've been working as an actor for twenty-five years on and off Broadway, in regional theatre TV and film.
I've been an acting teacher and coach for ten years. I am happy to take the time you need to bring your truth and 'uniqueness' to your audition, or rehearsal / line session - unlock your heart, find moments, and help you 'win the room' whether you'll be in person, on tape or on Zoom.
Additionally, a year and a half ago I opened my accent coaching business, LEARN AN ACCENT WITH MATTHEW FLOYD MILLER. (Special introductory deal for first time accent clients!)
I realized a year into living in L.A. that I had not played a character with my native accent the entire time. Over the years I've played Russians, a German, a Norwegian, a Scot, a couple Southerners, a Czech, a Spaniard, a New Yorker (from the Bronx), a Cockney and a whole lot of upper crust Brits (one of my specialties). So I have an affinity for accents and will help you nail yours.
BUT I don't only do accent work!
Over the years I've studied many of the great Stanislavski - based acting approaches as well as more physically based approaches. In addition to having received my classical actor training from NYU Graduate Acting, I've studied Meisner, The Method (with one of Strasberg's proteges), Michael Chekhov and Grotowski work, the 'non-acting acting' technique of Harold Guskin and TV comedy with Lesly Kahn in Los Angeles.
In short, if you have an acting challenge I probably have a tool for it.
Grateful brag! I most recently played Bill Clinton's Deputy White House Counsel, Vince Foster, opposite Sarah Paulson, in Ryan Murphy's IMPEACHMENT: AMERICAN CRIME STORY on FX. And I just originated the role of Caulder Tipton III in the world premiere of DESIGNING WOMEN, the play, opposite SAG Award winner Amy Pietz and Tony nominee Carmen Cusack.
Very grateful to have been working at this time and I want to help you get working and playing as well!
Hit me up!
https://www.matthewfloydmiller.com
Hi there, We Audition Community!
My name is Matthew Floyd Miller. I'm originally from Central California and did a twenty year stint in New York before moving to L.A. several years ago. I’ve been a professional actor for 25 years, on Broadway and off, in regional theater, television and film. Grateful for my career and grateful to be part of this community of proactive artists. Let’s help each other be our best and create our best work!
https://www.matthewfloydmiller.com
BROADWAY: 'Not About Nightingales', director Trevor Nunn (Circle in the Square); 'The Invention of Love', director Jack O’Brien (Lincoln Center Theatre). OFF-BROADWAY: 'Another Part of the Forest' (Peccadillo Theatre Co.); 'Of Mice and Men' (Urban Stages); 'Letters From Cuba' (Signature Theatre Co.); The Seagull (NYU Director’s Lab).
TV/ FILM: Matthew can be seen as Vince Foster in Ryan Murphy’s ‘American Crime Story: Impeachment’ opposite Sarah Paulson (FX & Hulu). Other credits include 'Barry' (HBO); 'Welcome to Chippendales' opposite Kumail Nanjiani (Hulu); 'Law & Order' (NBC); 'Hand of God' opposite Ron Perlman (Amazon Prime); 'Colony' (USA); 'Major Crimes' (TNT); 'Criminal Minds' (CBS); 'Stan the Man' (Amazon Prime), 'All Good Things' as young Frank Langella (Magnolia Pictures); 'Pop Rocks' (Audience Award, Breckenridge Film Festival) and motion capture for 'Call of the Wild' starring Harrison Ford (20th Century Studios).
L.A. and REGIONAL THEATRE: 'Designing Women', the play, with Tony nominee Carmen Cusack and SAG Award winner Amy Pietz (world premiere, Theatre Squared and Arkansas Rep.) 'Oslo' (L.A. premiere), 'The Goodbye Girl', 'I Love Lucy: A Funny Thing Happened on the Way to the Sitcom', 'The Tug of War', and the national tour of 'Judgment at Nuremberg' (L.A. Theatre Works); 'Being At Home With Claude' (the inaugural production of L.A.’s Ecstatic Theatre Co.); 'Stupid Fucking Bird' (Theatre @ Boston Court, L.A. Drama Critics Circle Award - Best Ensemble; Ovation nomination - Best Ensemble); 'Yes, Prime Minister', with Michael McKean and Jefferson Mays (Geffen Playhouse); 'The Mystery of Irma Vep' (The Falcon); 'It’s a Wonderful Life', 'Measure for Measure', 'Fallen Angels' and 'The 39 Steps' (Ensemble Theatre Co.);' Antony & Cleopatra', and a critically acclaimed production of 'Private Lives' (Pennsylvania Shakespeare Festival); 'Murder on the Orient Express' (West Coast premiere) and 'Noises Off' (La Mirada); 'Private Lives' (Laguna Playhouse / Rubicon Theatre Co.); 'Middletown', Tom Stoppard’s 'Rock‘n Roll', 'The Pillowman', 'The Underpants', 'A Christmas Carol' (ACT-Seattle); 'Hysteria' (Wilma Theatre); 'Around the World In Eighty Days' (San Jose Rep. / Laguna Playhouse); 'The Bald Soprano' (Shakespeare Theatre of New Jersey); 'This Wonderful Life' (a one man show, Portland Center Stage); 'Two Rooms' (Chester Theatre Co.); 'A Prayer For Owen Meany' (U.S. premiere, Playmaker’s Repertory); 'Theophilus North' (World premiere, Arena Stage /Geva Theatre Center); 'The Violet Hour' (Dallas Theatre Center); 'The Matchmaker', with Andrea Martin (Ford’s Theatre); 'Enchanted April' (Arizona Theatre Co.); 'Desire Under The Elms' (San Jose Rep., Dean Goodman Choice Bay Area Theatre Award- Principal Performance); 'A Midsummer Night’s Dream' (The Old Globe); 'The Tempest' (Playmaker’s Rep.); 'Skylight' (Cincinnati Playhouse / Rep. of St.Louis); 'Romeo & Juliet' (Portland Stage Co.); 'Quills' (Berkshire Theatre Festival).
Training: NYU Graduate Acting.
Matthew is ONLINE and available to read with you NOW.
If you need a Reader, please connect immediately rather than message.